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Articles and whitepapers
The Need for Video Scalers (1/11/2004)
By Udo Ratai, cinemateq
How good is the picture quality of your home cinema? Is digital
best? And what will be the effect of HDTV? Another typical question
concerning projectors and digital displays is 'which component is
ultimately responsible for the picture quality on the projection
screen?' If the eye detects an error, which component is to blame?
Is it the video source, the displaying device or the video processor
in between? In a test environment, many devices, cables and interfaces
in the long chain from the video source to the projection screen,
must be coordinated with each other. Finding the setup with the
best possible picture quality, has been a central task in my working
life for years.
In the past, I have always used professional
video scalers in order to fully test components, but using the highest
quality signals often resulted in only being able to work with a
handful of good devices. Attempts using native-resolution or HDTV
pictures at 50Hz, which we will soon have in Europe, caused problems
more than once.
DVI (Digital Visual Interface) has been a
quantum leap for digital display technologies, but using this for
50Hz PAL picture distribution only works in some cases. We therefore
need to tread with caution when using technologies that have been
predominantly developed in NTSC countries.
Scalers, HDTV and current issues
The number of projectors and/or displays
compatible with European HDTV signals is constantly growing, and
HDTV scalers conceived for this purpose will finally be able to
prove what experts have been saying for some time: that the line
doubler or video scaler will define the picture quality of home
cinema.

cinemateq picture optimizer plus II
In addition to its originally-intended tasks,
the professional video scaler can serve as a tool and working device
for testing video interfaces in the home cinema using HDTV 50Hz
signals.
With the arrival of European HDTV, the professional
scaler can help avoid a number of problems. The worst case is where
incompatible displays stay dark and are unable to offer the fascinating
quality of HDTV pictures. Hardly better is the case where devices
recognise an HDTV picture, but show unacceptable artefacts in moving
scenes such as 'motion judder' (internal 60Hz rendering), 'tearing'
(crosswise flashing edges in moving scenes) or the wrong picture
position and geometry.
HDTV compatibility
Given the announcement by ASTRA and some
cable providers to start broadcasting high-resolution HDTV content
from January 2005 onwards, both broadcasters and manufacturers are
under pressure to bring to market HDTV content and/or HDTV-enabled
devices. In the run up to the World Soccer Championship in 2006,
there will be a true HDTV boom in Europe, so it is essential that
testing is carried out now.
Not only will future HDTV-compatible home
cinemas benefit from the new broadcasts, but current TV and/or DVD
applications can also take advantage of the conversion of PAL pictures
into HDTV resolution.
There is one clear conclusion to be drawn.
To be future proof, a modern home cinema must be based both on components
with HDTV-enabled interfaces and displays with high resolutions
far beyond conventional PAL. A home cinema that supports HDTV signals
today will avoid conversion difficulties in future.
Interfaces are the key
For many years, both plasma and LCD displays
and LCD, DLP or LCOS projectors, have been available - all of which
are digital technologies. DVD players, DVB (Digital Video Broadcast)
via satellite or DVB-T (terrestrial) transmit digital video signals.
So why on earth we are still communicating between these digital
worlds using analogue interfaces?
The result of multiple D/A and A/D conversions
affects picture quality, so if you want to experience a convincing
home cinema picture, it is best to buy or install digital home cinema
components that have professional digital interfaces such as SDI,
DVI and HDMI (High Definition Multimedia Interface).

SDI interface and DVI interface
While this is great in theory, interfaces
for digital HDTV signals must also work in practice. Many plasma
displays only accept doubling (PAL/NTSC), some do not recognise
50Hz video pictures via DVI at all, and some show 'motion judder.'
For modern HDTV projectors however, full HDTV compatibility (DVI
and YUV) has almost become standard at HDTV 720p using 1280x720
pixels - even for cheaper LCD devices costing less than 2000 Euros.
Moreover, thanks to so-called 'auto input receivers' some PC monitors
work with true HDTV signals via DVI without displaying errors -
making them the least expensive digital HDTV displays currently
available.
It is incredible that an SXGA monitor costing
less than 400 Euros can offer an error-free picture with HDTV 720p/50Hz,
while a plasma display costing 20 times as much, might not. The
lack of 50Hz-compatible DVI inputs could be overcome by converting
PAL material to 60Hz, but in the long run, this will not help, since
a PAL 60Hz rendition always leads to motion judder.
No video scaler in the world can work at
its best with some incompatible displays, but it is often difficult
to get people to admit that the fault lies with their particular
plasma display or expensive projector. In such cases, we need to
proceed systematically, and double check the real signal quality
delivered by the scaler with an analogue CRT monitor or another
compatible device. Analogue CRT monitors are well-suited to this
purpose, as they hardly alter the video signal and do not produce
motion judder errors.
Many of the latest generation projectors
and plasma displays offer HDTV-compatible YUV and DVI interfaces,
and adapters from DVI to HDMI can be used to connect displays with
HDMI-only interfaces. Thus we move ever closer to a 'perfect HDTV
world.' In order to be sure that devices are future-proof however,
we need to check our home cinema components with HDTV signals using
professional video scalers.
Scaler requirements
Of course it is essential that the video
scaler itself delivers a signal that complies with current standards.
The cinemateq picture optimizer plus II SDI for example, adheres
to the latest SMPTE and/or VESA standards. Considering the variety
of different output signals possible, including DVI, RGB,HV, RGBS
and RGsB/YUV with bi-level or tri-level-sync, this is a demanding
requirement. Moreover, the picture optimizer plus II SDI also delivers
video signals for all possible panel resolutions. Twenty-two formats
from 'doubling' to 'quadrupling,' VGA to UXGA, HDTV 720p and HDTV
1080i/1080p are predefined and can be easily accessed at any time.
As opposed to American HDTV formats that
have been defined by SMPTE (Society of Motion Picture and Television
Engineers) for some time now, HDTV formats using 50Hz have only
been available for a short time in Europe. This is why settings
sometimes differ, especially with older devices. It may therefore
be necessary to generate different HDTV settings or settings that
may refer to the 'old' SMPTE standard. For this purpose, the picture
optimizer plus II SDI for example, offers four custom resolutions
for individual fine adjustment.
The way to a perfect home cinema
The core component of a future proof home
cinema is a digital video scaler that integrates digital inputs
(SDI) and digital outputs (DVI). Interfaces to the analogue world
should also be available in the best possible quality, although
they can never match the quality of the loss-free signal transfer
of digital interfaces.

Perfect picture sharpness thanks to a digital chain (One Night at
Mc Cool's)
Ideally, there should only be one DVI cable
leading from the output of the scaler to the modern projector or
flat screen. This is the easiest and technically cleanest solution
- not only for projectors mounted to the ceiling, but for flat screens
where we want to avoid having many cables leading to different connected
devices. In terms of cables, ceiling-mounted projectors can, in
most cases, be connected via DVI cables up to 10m long without any
problems.
cinemateq DVI-Link optical DVI cable (30m)
Should higher cable lengths be necessary,
fibre optic DVI cables are ideal. These can securely cover distances
in excess of 100m without any loss in quality, and thanks to detachable
DVI connectors, can fit through narrow cable channels. Using the
cinemateq picture optimizer plus II SDI video scaler for example,
you can also pass through two analogue PC or HDTV signals (5xBNC/
1x15PIN) per bypass function to your projector. It is therefore
worth considering analogue signal connections (YUV / RGB,HV) which
may be needed for future HDTV receivers. For purely digital HDTV
signals however, there are also flexible solutions and applications.
cinemateq for example, offers DVI switchers in all variants, so
a projector can be switched to up to four external digital HDTV
signals, and if necessary, DVI signals can be distributed in up
to five rooms at a time with a DVI amplifier.
For the home cinema devotee who wants to
push their large CRT projector to the limit, the picture optimizer
plus II SDI supports 1920x1080p. Indeed the first digital HDTV devices
with 1920x1080 pixel resolution - designated to professional cinema
applications (Digital Cinema) - are already being tested in European
home cinemas by a selected group of enthusiasts.
Conclusion
HDTV may be reality in Europe in a few months,
and the advantage of a home cinema setup that includes a professional
video scaler is that you do not need to change its installation
and wiring for years to come. You can sit back and wait until 1920x1080
pixel HDTV projectors are readily available and perhaps reach affordable
prices similar to current 720p projectors.
Udo Ratai is the Product Manager for cinemateq, specialist in video
optimisation for home cinema and the presentation sector.
www.cinemateq.com
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